I'm back!!! Oh, and DJ ODP too

First, let me apologize to my legions of readers (-ahem!-) for my long time away.  If you follow my other blog The Relocation Chronicles, you would know that I have recently moved from Washington, DC to Berlin, Germany.  Unfortunately, with a move across the world comes several months of winding the old life down, shipping everything overseas, and then getting the new life started.

But this move to the heart of European music is to both our benefit.  I now have more ready access to a whole world of music that was previously more difficult to discover (not to prey on old stereotypes, but Americans are notoriously suspicious of listening to languages that they do not understand).  If you're one of my army of readers (-ahem!-), you now get to discover this music through my ears.

Along those lines, yesterday I participated in a business startup event called Uncubed.  To be honest, not being a developer or a designer, and not being 25, I found the event a little disheartening - or at least I found listening to some the speakers a little disheartening.  I am sure that there is a place in the Berlin startup mix for a mid-career professional with almost 20 years of strategic management experience - but little hands-on development experience - in a successful American consulting firm to bring to the table.  But the event was not really designed around my needs.

That having been said, I had some incredibly interesting and productive conversations with a number of interesting young companies, and one interesting and somewhat more seasoned company that is on the cusp of being massive.

In the growing Berlin startup scene, SoundCloud is seen as the gold standard.  Started in 2007 by a Swedish sound designer and a Swedish artist as a platform through which they could share audio, SoundCloud has grown into a social media platform through which artists, musicians, writers, comedians, teachers, and anybody else who deals in the audio medium can share their "sounds" with fellow artists and increasingly consumers around the world.

I am not an artist, but I am a consumer with few rivals.  With a low cost for entry and a global footprint, SoundCloud is a magnet for musicians who want to reach beyond the few dozen listeners who might go to a show, or the few hundred who might hear of them through community word of mouth.  For somebody like me, who lives to uncover talented musicians who bring their own languages into the mix, the chance to speak in person with the people who bring a new level of ease of access to the process was a dream come true.

So, with that unsolicited plug out of the way, what was I able to use SoundCloud to bring to you today?  Well, over the years I've become something of a closet fan of reggaeton.  Called "Latin reggae" by some, reggaeton seamlessly blends reggae, hip hop, and Latin rhythms and lyrics.  And today's song is DJ ODP with his track Mi Vida No Va Cambiar.  Born in Guatemala, DJ ODP moved to the United States as a youth, and he has been spinning discs around the world for the past 10 years.  I dare you to listen to this track and stay in your seat.

Music Video: Dub Addiction - Zunguzeng Inna Di Penh

Some of the most interesting - and even sometimes enjoyable - music pops up when you least expect it.  Today I was fumbling around YouTube looking for any available tracks from Irie Révoltés upcoming album "Allez" (due out May 3, by the way), and as always I was checking out the recommended videos that also popped up.  What caught my eye was something that both surprised me and made me somewhat suspicious: a dub ragga band from Phnom Penh, Cambodia called Dub Addiction.

Well, how could I possibly not look into this further?  My suspicions turned out to be well founded, as it turns out that Dub Addiction is only partially Cambodian, with the rest of the band from elsewhere.  But the lyrics are an engaging blend of Jamaican patois and Khmer.  It turns out that the music, as illustrated in Zunguzeng Inna Di Penh, has a surprisingly organic sounding groove.  Unlike some musical styles that have been transplanted in a "foreign" culture, nothing about Dub Addiction's take on dub ragga sounds forced or affected. 

Music Video: Chefket - Der Blinde Gärtner

Earlier this morning I read an interesting article on the Daily Kos website called "America's Soft Power Secret: Hip Hop" about how Hip Hop is a worldwide phenomenon, and how the United States could improve its image around the world by using Hip Hop as a diplomatic tool.  I wholeheartedly agree with the general concept of music being a unifying and eye opening tool, and in response I wanted to look around to find some examples of how Hip Hop is being utilized around the world to change societal perceptions.  After all, from its very genesis Hip Hop has been as much about politics - on either the micro or the macro level - as about entertainment.  What I found was an example of Hip Hop being used for more than just a "soft power" tool.  I found a prime example of Hip Hop being used as a positive force for change.

I have recently begun to follow German-Turkish Hip Hop artist Chefket.  His work is often soulful and his rhymes are intricate and engaging both lyrically and rhythmically.  On Der Blinde Gärtner, his contribution to the "Deutschlands vergessene Kinder" compilation album, Chefket digs deeply into Hip Hop as the music of story telling to tell harrowing stories of child neglect and child abuse, in other words - as the title of the album indicates - Germany's forgotten children.  This, to me, is the essence of what Hip Hop can accomplish anywhere in the world: it is the music of the powerless telling the world about personal experiences that have universal meaning.  At its worst, Hip Hop is often about braggadocio, violence, and misogyny.  But at its best, it can be a window into deeper truths, and can hopefully be an inspiration to positive action.

Music Video: Cro - Einmal um die Welt

One of the reasons I have always loved doing this blog, albeit in fits and starts, is because there are some awesome tunes out there that simply never cross over into the English speaking world.  Last fall, "raop" (a self-named cross between rap and pop) star Cro hit it very big in the German speaking world, with his second album "Raop" hitting Number 1 in the German and Austrian charts and Number 7 in the Swiss charts.  Yet here in America. . . nothing. 

Well, that's why I'm here.  Today I bring you one of Cro's big hits from this mega-hit album, Einmal um die Welt.  This song perfectly puts on display exactly what Cro means by raop.  It has the lyrical drive and density of rap, while having an uptempo beat that makes it hard to sit still.  Having had the chance to listen to Cro's other music, this theme carries through well, and makes him an artist worth following moving forward.

Music Video: Sucker - Remain Pain

Back in what seems to be a former life, I was a serious Rude Boy.  Sure, not in the traditional Jamaican sense of the term.  But I was a suburban white Rude Boy.  If it was ska, or even ska-like, I would buy it.  If there was a ska band in town - even if they weren't very good - I had to drop everything and go to the show.  I have fallen out of love with the genre over the years though for a number of reasons.  Primarily I fell out of love with ska mainly because most bands just followed the musical formula by rote, without ever really doing anything new or interesting with it.  As long as there was a bouncy beat, songcraft became almost irrelevant.

For better or for worse, ska has spread around the world, and along with it it's offshoot "skacore".  This is probably my least favorite sub-genre of ska because the less talented practitioners simply write a hardcore punk tune, and then half way through, they patch in a ska tune.  Very seldom do the two mesh together with any kind of sensible cohesion.  Today, Open World Music brings you a skacore band from Xi'an China that almost gets it right.  As demonstrated by their song Remain Pain, they have the energy, they have the attitude, and they almost manage to write a catchy tune.  Almost.

I really shouldn't be too hard on Sucker.  My attitude toward them is largely colored by my previous biases against skacore.  Within the severe limitations of the genre, I actually think they are pretty decent.  And bonus points go to them for singing in Chinese.  But I hope for their sake that they move beyond the restrictive confines of skacore.  There's so much more out there!

2012 Open World Music Dance Party

As with last year, this year Open World Music is having a dance party in my newly renovated dance hall - "The Geyer Palladium" (aka my family room).  A new sound system is installed.  New lighting has been turned on.  All we need now is a playlist.

Well, here it is:

1)  Blumio (Germany): Intro
2)  Carly Rae Jespen vs. PSY (USA/South Korea):  Call Me Gangnam
3)  Fettes Brot (Germany):  Kontrolle
4)  Irie Révoltés (Germany):  Explosion
5)  Malik Adouane (Algeria):  Get Up I Feel Like Being a Sex Machine
6)  Boris Grebenschikov and Aquarium (Russia):  Shumelka
7)  Scandal (Japan):  Shojo S
8)  2NE1 (South Korea):  I Am the Best
9)  Marteria, Yasha, and Miss Platnum (Germany):  Feuer
10)  Dendemann (Germany):  Stumpf ist Tumpf 3.0
11)  Paula (Germany):  C'est comme ça
12)  Rachid Taha (Algeria):  Rock the Casbah
13)  Laing (Germany):  Neue Liebe
14)  Culcha Candela (Germany):  Schöne Neue Welt
15)  Nosliw (Germany):  Heiss und laut
16)  Mexican Institute of Sound (Mexico):  Yo Diga Baila
17)  Seeed (Germany):  Seeeds Haus
18)  Plastilina Mosh (Mexico):  Naranjada

This playlist has been test marketed by my 7 year old daughter, and she gives it two enthusiastic thumbs up.  I hope you enjoy it too!

Merry Christmas from Open World Music!!!!

Bundesvision 2012: Hesse

I don't know if anybody else has coined the term yet, but there is a very distinct sub-genre of Caribbean inspired music that I will call "Euro-ska".  More ska than polka, but with enough elements of both to have a distinctive flavor, Euro-ska is incessantly upbeat, is easy to dance to, and is easy to sing along with.  Even without a name specifically dedicated to it (although, there might very well be one that I'm not familiar with), Euro-ska is very popular at places like European weddings, beer festivals, and other events where young and old are co-mingling and looking for something mutually agreeable to dance to.

And into this scene walks Cris Cosmo with Herzschlag.  This is a fun, danceable song that makes you happy just listening to it.  I can already see the beer tents and summer music festivals bouncing up and down to it.  Herzschlag fits the Euro-ska genre like a pair of spandex bike shorts.  What it lacks is any shadow of originality.

Sigh.

My prediction:  Cris Cosmo's Herzschlag is a tough song to predict for.  It is extremely appealing to a broad audience.  At the same time, it could easily be replaced by any number of similar songs.  That means it could either do extremely well or it could fade without a trace.  I'll split the difference by putting it in the middle, and hoping for the best.