Music Video: Sucker - Remain Pain

Back in what seems to be a former life, I was a serious Rude Boy.  Sure, not in the traditional Jamaican sense of the term.  But I was a suburban white Rude Boy.  If it was ska, or even ska-like, I would buy it.  If there was a ska band in town - even if they weren't very good - I had to drop everything and go to the show.  I have fallen out of love with the genre over the years though for a number of reasons.  Primarily I fell out of love with ska mainly because most bands just followed the musical formula by rote, without ever really doing anything new or interesting with it.  As long as there was a bouncy beat, songcraft became almost irrelevant.

For better or for worse, ska has spread around the world, and along with it it's offshoot "skacore".  This is probably my least favorite sub-genre of ska because the less talented practitioners simply write a hardcore punk tune, and then half way through, they patch in a ska tune.  Very seldom do the two mesh together with any kind of sensible cohesion.  Today, Open World Music brings you a skacore band from Xi'an China that almost gets it right.  As demonstrated by their song Remain Pain, they have the energy, they have the attitude, and they almost manage to write a catchy tune.  Almost.

I really shouldn't be too hard on Sucker.  My attitude toward them is largely colored by my previous biases against skacore.  Within the severe limitations of the genre, I actually think they are pretty decent.  And bonus points go to them for singing in Chinese.  But I hope for their sake that they move beyond the restrictive confines of skacore.  There's so much more out there!

Bundesvision 2012: Hesse

I don't know if anybody else has coined the term yet, but there is a very distinct sub-genre of Caribbean inspired music that I will call "Euro-ska".  More ska than polka, but with enough elements of both to have a distinctive flavor, Euro-ska is incessantly upbeat, is easy to dance to, and is easy to sing along with.  Even without a name specifically dedicated to it (although, there might very well be one that I'm not familiar with), Euro-ska is very popular at places like European weddings, beer festivals, and other events where young and old are co-mingling and looking for something mutually agreeable to dance to.

And into this scene walks Cris Cosmo with Herzschlag.  This is a fun, danceable song that makes you happy just listening to it.  I can already see the beer tents and summer music festivals bouncing up and down to it.  Herzschlag fits the Euro-ska genre like a pair of spandex bike shorts.  What it lacks is any shadow of originality.

Sigh.

My prediction:  Cris Cosmo's Herzschlag is a tough song to predict for.  It is extremely appealing to a broad audience.  At the same time, it could easily be replaced by any number of similar songs.  That means it could either do extremely well or it could fade without a trace.  I'll split the difference by putting it in the middle, and hoping for the best.

Music Video: Irie Révoltés - Zeit ist Geld

A couple of months ago, I profiled four bands that play in French, but who come from elsewhere.  Today, I bring an unofficial fifth.  Irie Révoltés comes from Heidelberg, Germany, but for some reason they sing about 70% of their songs in French, with most of the rest in German.  To my own ear, it's an exciting mix because Irie Révoltés' music combines the Gallic tongue with decidedly Teutonic inspired reggae, ska, hip-hop, and electronic beats, with the music changing the feel of the language, and the language changing the feel of the music.

A good example of this mix is Irie Révoltés' song, Zeit ist Geld.  This is heavily electronic hip-hop, with some ska horns mixed in, and lyrics in both German and French.  As Irie Révoltés is an explicitly political band (thus the name of the band), this linguistic and musical internationalism merely adds further punch to their universal message of speaking to the common man.