Alin Coen Band - Ich war hier
Every year the Bundesvision Song Contest lineup consists mainly of artists who cater to the "norm". They are competent musicians performing pleasant enough music that allows the listener to pass a few moments of his or her life in a not-disagreeable manner. Every year, though, there are one or two artists with whom I fall in love because they deliver a song that goes beyond simply possessing a pleasant veneer. Their songs deliver an emotional punch either lyrically or, more likely as my German is more than a little rudimentary, musically. This year, the Alin Coen Band delivers that punch with their song Ich war hier.
Perhaps the best way to describe Alin Coen is as a singer/guitarist who delivers emotionally potent folk-tinged melodies in a manner similar to Joni Mitchell or Indigo Girls. That is not to say that she simply mimics an already well-established genre. Instead, she uses this genre as a launching pad from which to deliver tightly crafted songs that are sung with a mixture of deep emotion and obvious joy. In a world dominated by synth-pop, hip-hop, and all of the glitz that typically accompanies these genres, Alin Coen emerged onto the German music scene seemingly from out of nowhere on the strength of the buzz generated by her low-key appearances on German music television programs. With songs like Ich war hier, it is not hard to see why.
Prediction: The Alin Coen Band is not your typical TV music extravaganza artist. However, Ich war hier is a fine showcase of Ms. Coen's band's talent. With an album currently doing well in the marketplace, I predict that the cream of Bundesvision will rise to the top, putting Ich war hier easily in the top third - although probably still well shy of top of the heap.
Showing posts with label thuringia. Show all posts
Showing posts with label thuringia. Show all posts
Tuesday, August 23, 2011
Friday, September 24, 2010
Bundesvision 2010: Thuringia
Norman Sinn & Ryo: Planlos
In my effort to preview each of the 16 different Bundesvision 2010 entries, I have developed a healthy respect for professional music writers. They get vast amounts of music that goes to their "To Review" pile, and despite the fact that most of it is strictly average, they have to try to write something compelling for their loyal readers. I have had similar issues with the Bundesvision entries. Some are really good. Some are really unspeakably awful. But most just kind of fall in the middle somewhere, neither making me want to get up and dance/sing along, nor making me wish that somebody would drop a brick on my head from a great height to make it all stop.
And so, without further set up, I bring you Norman Sinn & Ryo's Planlos. It's vaguely danceable. It's vaguely sing-alongable. Ryo even does a nifty little rap in the middle to demonstrate that he's got that urban hip-hop edge that's so popular with the kids these days. I could see humming this song to myself during an absent minded moment on the train. In this age of disposable art, there is probably a lot that can be said for that. But being well suited for our disposable culture may not be the highest praise that can be sung for a song like Planlos.
Prediction: Norman Sinn & Ryo's Planlos no doubt fills a consumer driven need in music. I won't begrudge it that. But like so much else in this world, you could repackage it, rename it, and sell it as "New and Improved" tomorrow without actually having changed anything from the hundred times it has been done before. I predict that Planlos will do reasonably well, if only because it touches all the bases, but I don't see it getting above the middle of the pack.
In my effort to preview each of the 16 different Bundesvision 2010 entries, I have developed a healthy respect for professional music writers. They get vast amounts of music that goes to their "To Review" pile, and despite the fact that most of it is strictly average, they have to try to write something compelling for their loyal readers. I have had similar issues with the Bundesvision entries. Some are really good. Some are really unspeakably awful. But most just kind of fall in the middle somewhere, neither making me want to get up and dance/sing along, nor making me wish that somebody would drop a brick on my head from a great height to make it all stop.
And so, without further set up, I bring you Norman Sinn & Ryo's Planlos. It's vaguely danceable. It's vaguely sing-alongable. Ryo even does a nifty little rap in the middle to demonstrate that he's got that urban hip-hop edge that's so popular with the kids these days. I could see humming this song to myself during an absent minded moment on the train. In this age of disposable art, there is probably a lot that can be said for that. But being well suited for our disposable culture may not be the highest praise that can be sung for a song like Planlos.
Prediction: Norman Sinn & Ryo's Planlos no doubt fills a consumer driven need in music. I won't begrudge it that. But like so much else in this world, you could repackage it, rename it, and sell it as "New and Improved" tomorrow without actually having changed anything from the hundred times it has been done before. I predict that Planlos will do reasonably well, if only because it touches all the bases, but I don't see it getting above the middle of the pack.
Labels:
2010,
bundesvision,
german,
music,
norman sinn,
planlos,
ryo,
thuringia
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